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KSHHHHHK Part 4

by #$XXXXX!/#*$

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Yonghoon Cho
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    5
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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of KSHHHHHK 4.5, KSHHHHHK Part 4, KSHHHHHK Part 3, KSHHHHHK Part 2, and (KSHHHHHK Part 1). , and , .

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1.
13.1 (tigabelas) 04:45
2.
13.2 - gamelan version (bonus track) 04:57
3.
13.3 - noise version (bonus track) 02:44
4.
13.4 - metal version (bonus track) 04:44

about

Non-grid-based, minimalist electronic music, constructed from vocal & percussion improvisations from April 2021 and July 2022. An exercise in stretching time between two pivot points, and the creation of momentum through disruptions in pulse.

Musik elektronik minimalis berbasis non-grid, dibangun dari improvisasi vokal & perkusi dari April 2021 dan Juli 2022. Latihan dalam meregangkan waktu antara dua titik pivot/nada pokok, dan penciptaan momentum melalui gangguan ketukan/beat.

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#$XXXXX!/#*$

This project began during lockdown in Panjer, Denpasar in early 2021. Seeking a hybrid of several genres that went beyond pastiche, and approached music as abstraction, while still reflecting the feeling of time and place. Aside from the second release in the series, this is hand-drawn MIDI, based on vocal and percussion improvisations, run through free FX, software synths, and samples from friends.

My listening list at the time was gamelan, harsh noise, deconstructed club, and several sub-genres of extreme metal. Mostly constructed in the house when things were still closed, I was looking to express the chaos (both real and imagined) of the world outside, while also expressing a kind of raw energy and hope—that the future could be harsh/unpredictable, yet bright/colorful at once.

Each release in this series works toward a hybrid composition language based on metal/gamelan/noise/electronics, with a special focus on micro-timing and the subtleties of human performance. The language is then fed back into each influencing genre and context to see how it fits, how it strains, and how it opens up new possibilities for sound and expression.

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Proyek ini dimulai saat lockdown di Panjer, Denpasar pada awal 2021. Mencari hibrida dari beberapa genre yang melampaui pastiche, dan mendekati musik sebagai abstraksi, sambil tetap mencerminkan perasaan waktu dan tempat. Selain rilis kedua dalam seri utama, ini adalah MIDI yang digambar tangan, berdasarkan improvisasi vokal dan perkusi, dijalankan melalui FX dan software synth yang gratis, dan sampel dari teman-teman.

Playlist pendengaran aku saat itu adalah gamelan, harsh noise, deconstructed club, dan beberapa sub-genre extreme metal. Sebagian besar dibangun di rumah ketika kebanyakan dunia masih tertutup, saya ingin mengekspresikan kekacauan (baik nyata maupun imajiner) dari dunia luar, sementara juga mengekspresikan semacam energi mentah dan harapan—bahwa masa depan bisa keras / tidak dapat diprediksi, namun menusuk cerah / penuh warna sekaligus.

Setiap rilis dalam seri ini bekerja menuju bahasa komposisi hibrida berdasarkan metal / gamelan / noise / elektronik, dengan fokus khusus pada ekspresi waktu-mikro dan seluk-beluk kinerja manusia. Bahasa ini kemudian dimasukkan kembali ke setiap genre dan konteks yang mempengaruhi untuk melihat bagaimana itu cocok, bagaimana itu disonan, dan bagaimana ia membuka kemungkinan baru untuk suara dan ekspresi.

credits

released December 14, 2022

Thanks once again to #NAGi of Kerobokan, Bali for the gamelan samples used here on track 2.

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all rights reserved

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#$XXXXX!/#*$ Denpasar, Indonesia

Experimental work in genre, microtiming and electronics from Panjer, DPS, 2021

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